Maxximus
May 7th, 2009, 02:43 AM
The Villa d'Este is a villa situated at Tivoli, near Rome, Italy. Listed as a UNESCO world heritage site, it is a fine example of Renaissance architecture and garden design.
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The garden plan is laid out on a central axis with subsidiary cross-axes of carefully varied character, refreshed by some five hundred jets in fountains, pools and water troughs. The copious water is supplied by the Aniene, which is partly diverted through the town, a distance of a kilometer, and by the Rivellese spring, which supplies a cistern under the villa's courtyard. The garden is now part of the Grandi Giardini Italiani.
The Villa's uppermost terrace ends in a balustraded balcony at the left end, with a sweeping view over the plain below. Symmetrical double flights of stairs flanking the central axis lead to the next garden terrace, with the Grotto of Diana, richly decorated with frescoes and pebble mosaic to one side and the central Fontana del Bicchierone ("Fountain of the Great Cup") loosely attributed to Bernini, where water issues from a seemingly natural rock into a scrolling shell-like cup.
To descend to the next level, the visitor is required to take stairs at either end— the elaborate fountain complex called the Rometta ("the little Rome") is at the far left— to view the full length of the Hundred Fountains on the next level, where the water jets fill the long rustic trough, and Pirro Ligorio's Fontana dell'Ovato ends the cross-vista. A visitor may walk behind the water through the rusticated arcade of the concave nymphaeum, which is peopled by marble nymphas by Giambattista della Porta. Above the nymphaeum, the sculpture of Pegasus recalls to the visitor the fountain of Hippocrene on Parnassus, haunt of the Muses.
This terrace is united to the next by the central Fountain of the Dragons, dominating the central perspective of the gardens, erected for a visit in 1572 of Pope Gregory XIII whose coat-of-arms features a dragon. Central stairs lead down a wooded slope to three rectangular fishponds set on the cross-axis at the lowest point of the gardens, terminated at the right by the water organ and Fountain of Neptune.
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High compared to Fontana di Nettuno, complementing the scenery, the Fountain of the organ, or organ Plumber, owes its name to the prodigious mechanism for water that just went inside, it sounded.
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HADRIAN'S VILLA
The villa was created at Tibur (modern-day Tivoli) as a retreat from Rome for Roman Emperor Hadrian in the early 2nd century. Hadrian was said to dislike the palace on the Palatine Hill in Rome, leading to the construction of the retreat. During the later years of his reign, he actually governed the empire from the villa. A large court therefore lived there permanently. A postal service connected them to Rome.
After Hadrian, the villa was used by his various successors. During the decline of the Roman Empire the villa fell into disuse and was partially ruined. In the 16th century Cardinal Ippolito II d'Este had much of the marble and statues in Hadrian's villa removed to decorate his own Villa d'Este located nearby.
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The garden plan is laid out on a central axis with subsidiary cross-axes of carefully varied character, refreshed by some five hundred jets in fountains, pools and water troughs. The copious water is supplied by the Aniene, which is partly diverted through the town, a distance of a kilometer, and by the Rivellese spring, which supplies a cistern under the villa's courtyard. The garden is now part of the Grandi Giardini Italiani.
The Villa's uppermost terrace ends in a balustraded balcony at the left end, with a sweeping view over the plain below. Symmetrical double flights of stairs flanking the central axis lead to the next garden terrace, with the Grotto of Diana, richly decorated with frescoes and pebble mosaic to one side and the central Fontana del Bicchierone ("Fountain of the Great Cup") loosely attributed to Bernini, where water issues from a seemingly natural rock into a scrolling shell-like cup.
To descend to the next level, the visitor is required to take stairs at either end— the elaborate fountain complex called the Rometta ("the little Rome") is at the far left— to view the full length of the Hundred Fountains on the next level, where the water jets fill the long rustic trough, and Pirro Ligorio's Fontana dell'Ovato ends the cross-vista. A visitor may walk behind the water through the rusticated arcade of the concave nymphaeum, which is peopled by marble nymphas by Giambattista della Porta. Above the nymphaeum, the sculpture of Pegasus recalls to the visitor the fountain of Hippocrene on Parnassus, haunt of the Muses.
This terrace is united to the next by the central Fountain of the Dragons, dominating the central perspective of the gardens, erected for a visit in 1572 of Pope Gregory XIII whose coat-of-arms features a dragon. Central stairs lead down a wooded slope to three rectangular fishponds set on the cross-axis at the lowest point of the gardens, terminated at the right by the water organ and Fountain of Neptune.
http://upload.wikimedia.org/wikipedia/commons/thumb/2/2f/One.hundred.fountain.at.villa.d%27este.arp.jpg/800px-One.hundred.fountain.at.villa.d%27este.arp.jpg
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High compared to Fontana di Nettuno, complementing the scenery, the Fountain of the organ, or organ Plumber, owes its name to the prodigious mechanism for water that just went inside, it sounded.
http://farm4.static.flickr.com/3237/2936870849_3d77ce87be_o.jpg
HADRIAN'S VILLA
The villa was created at Tibur (modern-day Tivoli) as a retreat from Rome for Roman Emperor Hadrian in the early 2nd century. Hadrian was said to dislike the palace on the Palatine Hill in Rome, leading to the construction of the retreat. During the later years of his reign, he actually governed the empire from the villa. A large court therefore lived there permanently. A postal service connected them to Rome.
After Hadrian, the villa was used by his various successors. During the decline of the Roman Empire the villa fell into disuse and was partially ruined. In the 16th century Cardinal Ippolito II d'Este had much of the marble and statues in Hadrian's villa removed to decorate his own Villa d'Este located nearby.
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