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Old May 19th, 2014, 01:43 AM   #361
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New boxes.


and the retro 'cladding' close up


Last edited by drjimmy; May 19th, 2014 at 01:45 AM. Reason: another pic
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Old May 19th, 2014, 01:53 AM   #362
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Shame about the turds they've put up behind there
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Old May 19th, 2014, 01:53 AM   #363
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Still no sign of the art school digs at spiers lock. They were meant to be on site months ago.
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Old May 19th, 2014, 02:11 PM   #364
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Scotland's first £3.2m urban watersports centre set to open in Glasgow

STV News - 19th May, 2014



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Scotland's first urban watersports centre will open in Glasgow on Monday.

Pinkston Watersports is Scotland's first and only competition-standard paddlesports venue at Port Dundas.

The £3.2m centre is now complete and will be run by Scottish Canals and charitable body Glasgow Watersports.

Shona Robison, cabinet Secretary for Commonwealth Games and sport, will mark the occasion by launching the first competitive canoe slalom run on Pinkston's artificial white water course.

Pinkston Watersports, at the Pinkston Basin on the Forth and Clyde Canal, features customisable white water and canoe slalom courses created by London 2012 course designer Andy Laird.
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Old May 22nd, 2014, 12:15 PM   #365
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Aw yes! That looks brilliant!
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Old May 22nd, 2014, 05:35 PM   #366
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Originally Posted by Dee-lightful View Post
Hello all.

Was on the WEST brewery tour last night (thoroughly recommended by the by) and took the opportunity to get the update regarding the Cooperage site and other development plans. The answer was interesting / disappointing.

According to my guide, the Cooperage development and all plans for Spierwharf are off. Apparently the decision has just being made; and made on the basis that the building is structurally unsound (if the room is taken off, the walls will collapse inwards). They do indeed still own it (why they bought it without checking this I don't know).

The plan is instead to build a new brewery and bottling plant up London Road - somewhere towards Celtic Park. There will likely be a bar there too. In addition, they are in the process of acquiring the bar (and the building above it) just across the road from the Templeton Brewery. He said the plan is uncertain, but may be a 'WEST hotel'. There are plans for a bar in Edinburgh (2014 0r 2015) and maybe one in London, though he said not to expect a Brewdog-style explosion of bars.

So, al in all, an interesting insight; but I must say that it's a blow to the Spierswharf development. Hope they can still do something there, but doesn't sound like it'll happen!
The bar across London Road is being rennovated now. Anyone know if this chat about a WEST Hotel is accurate?
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Old May 25th, 2014, 08:49 AM   #367
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Yesterday, I was there for a shoot. There is some development at Spiers Wharf in terms of pavement
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Old June 25th, 2014, 01:21 AM   #368
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http://www.theguardian.com/cities/20...-safe-exciting

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Halfway along the Oresund Bridge where Denmark meets Sweden, one of the darkest of Scandinavian crime dramas placed a body, cut in two and left lying across the border.

Such is the penetration of Nordic noir into our consciousness that even driving the route on a bright summer day, with the five-mile structure glinting in the sunlight, you are thrust back into those bleak scenes featuring the socially awkward Saga Norén and her Danish sidekick Martin Rohde. As the pair pursued a perpetrator whose killing spree put Hannibal Lector in the shade, The Bridge explored extreme violence, political activism and social dysfunction in both nations.

Travelling from Denmark to the point where the body was discovered, the city of Malmo is visible through the windscreen as Copenhagen recedes in the rear-view mirror. While dramatists linked the two cities around an outbreak of violence that seemed to suggest something deeply wrong at the root of both societies, it is not a tendency to breed serial killers that the cities share, but an ambition to drive out crime by injecting the ideas of an open, democratic and empathetic society into the very bricks and mortar that surround its citizens.

In the UK the authorities have tended to adopt a hostile and defensive architectural response to crime and anti-social behaviour: the erection of thousands of CCTV cameras, provision of gated communities and, most recently, the use of metal spikes in the streets. But in Scandinavia, despite higher rates of homicide and assaults than the UK, according to OECD figures, this approach has been rejected in favour of a softer option.

The results can be seen in developments like the one in the southern harbour area of Copenhagen, Sluseholmen – once a working-class dock – which has been regenerated around a canal system in a deliberate copy of Amsterdam. Low-rise modern flats with large windows and private balconies or gardens have been built around inner courtyards. Fences are replaced with glass and perspex, encouraging light to bounce off the surfaces, and increasing visibility of the families looking out on to the square and neighbours looking in. The aim is to use the natural surveillance of the residents as a powerful form of crime prevention.

The former docks area of Sluseholmen in Copenhagen uses a canal system as a natural defence against crime. The former docks area of Sluseholmen in Copenhagen uses a canal system as a natural defence against crime.

In the middle of the courtyard, a children’s play area is well used. Toys lie scattered around, and babies sleep in prams around the edge of the space. The canals flow up the sides and back of the buildings, and the blocks look out on to the harbour itself. Bikes and kayaks – used by the residents to get to work in central Copenhagen – are left unlocked. There are no dark alleys or dead ends, and the atmosphere is open, calming and welcoming. Most strikingly for a visitor from the UK, there is not one CCTV camera.

Walking around Sluseholmen is the architect Bo Grönlund. In his mid-70s, a small, energetic white-haired man, his enthusiasm about the impact architects can have on reducing crime is no less today than when he was a young man. Eyes bright with zeal, Grönlund talks rapidly, gesticulating at architectural features in the area which, he says, make residents safer.

“The water is used here,” he gesticulates, “as a natural defence. You see how it is all along one side of the building – no one can break in from there. It is built around the courtyard principle where you have a public space in the interior. The car park is underground and not visible. There are no cameras here, of course. We are quite sceptical about them because they can almost only be used after a crime has taken place; they do not prevent it.

“This is a calming environment, it is not provocative. If you do things that tell you that you are a bad person – like have cameras or gates everywhere – you might become that bad person, at least a little bit.”

Grönlund was part of a group of architects in the 1980s who tried to put designing out crime at the heart of city planning. They drew up recommendations to give planners and designers a better chance of shaping the physical environment to minimise violence and vandalism. “At the time the only publication around crime prevention from the EU was a British one, and it was very British in its thinking: with fences, cameras and alarms,” he said. “We wanted to do it in another way very consciously. The basis was that Denmark should continue to be an open society with a minimum of physical barring and formal surveillance.”

A leading figure in the movement, architect John Allpass, was responsible for designing the first housing area in Denmark where creating safety and security was implicit in the design. Five miles out of Copenhagen, the Sibelius estate is still considered a model of the designing out crime philosophy, shaped around:

Creating a social space where the natural surveillance of the people within it prevents crime.
Increasing people’s attachment to an area.
Encouraging people to use common areas with seating, foyers and lobbies that invite social contact.
Providing facilities for adults and young people in particular.
Limiting the number of access points from surrounding streets.
Frequent inspection and repair of vandalism.
Avoiding alleyways, hiding places and blind spots, and only using locks cameras and physical barriers as a last resort.

Bronzed and relaxed, Karsten Ellekaer is a familiar figure on the estate. He arrived here in 1985, shortly after the first phase was completed, with a young child. He brought up his family here and, though recently retired, has no intention of living anywhere else.

“Why would I want to leave? This is a wonderful place to live,” he says. “We have very little crime here. From the start everything was built in a certain way. The idea is the buildings are placed in the middle of an industrial area, which means that tenants can keep an eye on the industrial units at night, and when the tenants are out at work, there are people working in the industries who can act as a natural surveillance for the properties here.”

There is a bar run by tenants, a cafe, a laundry – where cards are swiped rather than cash used – a fitness centre and a common house which tenants can hire for parties. Neatly tended private gardens, with low hedges to increase visibility, line an inner road through the estate which is used by pedestrians, cyclists and drivers. The passage of people is another intended form of ‘eyes on the street’ surveillance to reduce crime.

Ellekaer spends his days walking around the estate checking for graffiti, litter, signs of criminal damage. As the tenants’ association leader, he runs a team of caretakers who are busy weeding the verges alongside the interior road. On the basis of the ‘broken windows’ theory – that vandalism and graffiti, if left, can escalate into more serious crime – so maintenance is deemed to be part of increasing safety and security.
Sibelius in Copenhagen Sibelius in Copenhagen takes maintenance seriously.

But there are no CCTV cameras or warning signs banning skateboarding, littering or anti-social behaviour. “They are not necessary,” Ellekaer says.

Behind the high-wire fence of the national police headquarters a few miles away, Karsten Nielsen, a former police officer, sits in his small prefab office which is dwarfed by the police station opposite. A quiet and thoughtful man, he leads the Danish Crime Prevention Council and believes there is a vital philosophy behind his country’s desire to make its people feel safe without locking them in. The Sibelius estate, he says, brought together all the best ideas of building secure and safe environments.

“We want a society we live in to be a free, open society, and we don’t want to lock any gates or make barriers unless it is absolutely necessary,” he says. “It’s about creating safety and reducing crime through urban planning in the built environment, on the streets, in the living areas we create. It relates to all major crime categories like theft and burglary, vandalism and violence.”

But attempts to remodel Sibelius have not all been successful; some designs have created public spaces which are too large for the population – lending the feel of a suburb so deserted it feels like the aftermath of a nuclear attack. There is also, in some areas, a sense that the life has been designed away, leaving only a husk of anything that makes a city interesting to live in.

“You cannot have a completely safe city and a completely exciting city at the same time, they are completely contradictory,” Grönlund suggests. “You need to have the exciting part of the city which is perhaps somewhat dangerous. So it has to be balanced and in proportion.”

Look at any guidebook and one of the most “exciting, vibrant and cosmopolitan” areas of inner-Copenhagen is Norrebro, where nearly 30% of inhabitants are from immigrant communities and the organic cafes, bars and chic baby shops rub up against cheap kebab takeaways, pound shops and slightly seedy clubs.


Norrebro – according to police statistics – also has a higher rate of crime than many other areas of Copenhagen, with 2,200 crimes reported per square kilometre. These include gang-related activities including drug dealing, possession of weapons and robberies, as well as shop burglaries, vandalism and graffiti.

Daubed with the graffiti of rival gangs along its main streets, the area has been the scene of many riots over the years, most recently in 2007 when the police moved in and evicted squatters from the Youth House, a social centre and base for environmental activists. Now it is the subject of a detailed report by Grönlund into how to alter the environment in order to reduce the crime. “Obviously it is [only] small changes you can make; you cannot pull everything down and start again. It is about working with the buildings and making adjustments.”

Some in Norrebro, however, fear that an attempt to design out the crime on their streets could eradicate the very reasons they live here – its radical edge, multiculturalism and all-round funkiness.

Young people gather around cafe tables in the main square, where plant shops vie for space with juice bars and vegetarian restaurants. “There are some gangs here and there is drug dealing, but I don’t feel this is a dangerous place at all,” says Hanne Kold, who runs a baby shop in the square.

“A lot of people who hang around come here because they need somewhere to go; they are part of this place,” Kold adds. “They don’t make too much trouble because this is their place too. I wouldn’t want this area being changed in some major way – I don’t see why they should want to do that.”
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Old August 21st, 2014, 03:46 PM   #369
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http://www.urbanrealm.com/news/4991/...kes_shape.html

Maryhill Locks ‘urban village’ takes shape

Work to deliver 125 new homes at Maryhill Locks, Glasgow, is continuing apace with the unveil of a £16m second phase of a long term master plan for the area by Maryhill Housing Association.

Designed by Hypostyle the £16m project sits on 18 hectares of brownfield land and incorporates a range of shared equity and rental properties alongside a commercial unit.

Taking the form of terraced housing, cottage flats and flats the build is intended to usher in a contemporary ‘urban village’ including 800 homes, shops, cafes, business and community space upon completion.

Maryhill Locks is one of 11 projects to be granted Scottish Sustainable Community status by the Scottish government, described as ‘…creating places which are ambitious and inspiring, and which raise standards in design, architecture and sustainable construction…’

Phase one of the project was delivered by Elder & Cannon in 2011. There are also separate plans to build a new health centre at Gairbraid Avenue.
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Old August 23rd, 2014, 07:09 PM   #370
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Went a walk up the canal to Port Dundas/Pinkston Water Sports Centre today. There's so much potential up there, acres of vacant/industrial land on a nice canal side setting.











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Old August 30th, 2014, 03:06 PM   #371
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Quote:
Originally Posted by drjimmy View Post
New boxes.


and the retro 'cladding' close up

I've decided I don't actually hate the new builds at Maryhill locks that actually border the canal. The rest of the development I certainly do hate, but i can live with those. They look like a cheap imitation of what should have been built there, but allowing for the woeful materials and cladding, they aren't all bad. It's like someone knew what they wanted to do but weren't given the budget required to make a decent stab at it.

Looks like they have a ground level terrace, accessed through patio doors, and a roof terrace. Which is pretty cool.

But the cladding makes it look like they let Vera Duckworth choose the finish.
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Old August 30th, 2014, 03:08 PM   #372
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I wonder what happened with the art school digs at spiers lock. Hopefully they're still a go.
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Old September 2nd, 2014, 10:37 PM   #373
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Whisky Bond office conversion completes



The Whisky Bond, a Glasgow based business and creative hub managed by the Glasgow Canal Regeneration Partnership, has completed work on a second phase of office and studio workspace within a former industrial building at Speirs Locks.

This brings to 100,000sq/ft the amount of space available in the seven storey brick structure, whose tenants already include the likes of Network Five Architects and the Glasgow Sculpture Studios, joining a growing creative community anchored by Scottish Opera and the Royal Conservatoire of Scotland.

A co-working space called ‘The Distillery’ is also provided, aimed at start-up businesses and freelancers.

Gary Watt, development manager at ISIS Waterside Regeneration, said: “The Whisky Bond is more than office and studio space, it’s the centrepiece of our ambition to transform Speirs Locks into one of Scotland’s leading centres for creative production.”

http://www.urbanrealm.com/news/5016/...completes.html
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Old September 2nd, 2014, 11:11 PM   #374
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Pleasing.
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Old September 3rd, 2014, 07:52 AM   #375
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ISIS Waterside Regeneration in need of a rebrand. Maybe they could half in with Savills estate agent for some brand consultancy.
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Old September 3rd, 2014, 07:12 PM   #376
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ISIS Waterside Regeneration in need of a rebrand. Maybe they could half in with Savills estate agent for some brand consultancy.
Twin Peaks fan?
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Old September 4th, 2014, 09:26 PM   #377
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Firms in race to land space in old whisky warehouse

Up to 10 tenants have signed leases for studios and offices following conversion work on the top floors of the post-war building overlooking the Forth and Clyde Canal.

Demand is high and bosses have decided to bring forward the entry date by several weeks from October to Monday, September 22, after a quarter of the new units were snapped up in advance.

The former seven-storey bonded warehouse which was opened by Highland Distillers in 1957 was relaunched two years ago as a commercial hub for creative industries such as artists, designers and freelance photographers after the first four floors underwent a £3million conversion.

More than 60 artists moved into the canalside building which also became the first permanent base for the Glasgow Sculpture Studios.

Now £1.5m has been spent renovating the final three top floors, which offer a total of 30,000sq ft of studios, offices and work space of various sizes.

Although final touches are being made 25% of the 38 units have already been leased at what is the largest cultural workshop in Scotland.

The imposing red brick building is managed by ISIS Waterside Regeneration.

It is part of the Glasgow Canal Regeneration Partnership which also involves Glasgow City Council and Scottish Canals which aims to completely breath new life into the canal by 2020.

ISIS development manager Gary Watt said: "The Whisky Bond is more than *office and studio space, it's the centrepiece of our ambition to transform Speirs Locks into one of Scotland's leading centres for creative production.

"Since our first tenants joined us at TWB in 2012, this vision has quietly evolved into a reality, with the canalside neighbourhood now home to organisations including Scottish Opera, Royal Conservatoire of Scotland and the Glue Factory gallery.

"The launch of our new office space will allow the Whisky Bond community to grow and strengthen and we'll continue to support all our tenants."

http://www.eveningtimes.co.uk/news/f...9027n.25230903
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Old September 4th, 2014, 09:56 PM   #378
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Awesome. 'ISIS' might wanna think about a rebranding though.
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Old September 5th, 2014, 10:57 PM   #379
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Twin Peaks fan?
Yip!
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Old September 10th, 2014, 07:15 PM   #380
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Originally Posted by Xtreminal View Post
Firms in race to land space in old whisky warehouse

Up to 10 tenants have signed leases for studios and offices following conversion work on the top floors of the post-war building overlooking the Forth and Clyde Canal.

Demand is high and bosses have decided to bring forward the entry date by several weeks from October to Monday, September 22, after a quarter of the new units were snapped up in advance.

The former seven-storey bonded warehouse which was opened by Highland Distillers in 1957 was relaunched two years ago as a commercial hub for creative industries such as artists, designers and freelance photographers after the first four floors underwent a £3million conversion.

More than 60 artists moved into the canalside building which also became the first permanent base for the Glasgow Sculpture Studios.

Now £1.5m has been spent renovating the final three top floors, which offer a total of 30,000sq ft of studios, offices and work space of various sizes.

Although final touches are being made 25% of the 38 units have already been leased at what is the largest cultural workshop in Scotland.

The imposing red brick building is managed by ISIS Waterside Regeneration.

It is part of the Glasgow Canal Regeneration Partnership which also involves Glasgow City Council and Scottish Canals which aims to completely breath new life into the canal by 2020.

ISIS development manager Gary Watt said: "The Whisky Bond is more than *office and studio space, it's the centrepiece of our ambition to transform Speirs Locks into one of Scotland's leading centres for creative production.

"Since our first tenants joined us at TWB in 2012, this vision has quietly evolved into a reality, with the canalside neighbourhood now home to organisations including Scottish Opera, Royal Conservatoire of Scotland and the Glue Factory gallery.

"The launch of our new office space will allow the Whisky Bond community to grow and strengthen and we'll continue to support all our tenants."

http://www.eveningtimes.co.uk/news/f...9027n.25230903
http://www.urbanrealm.com/news/5012/...ing_Games.html

Maybe these can get similar treatment?

https://maps.google.co.uk/maps?q=che...25.14,,0,-0.13

https://maps.google.co.uk/maps?q=che...24.05,,0,-0.47
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