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#1 | |
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Registered User
Join Date: Jul 2007
Location: Sydney
Posts: 112
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Dokk Holm: Snart Elsker Alle Betong
![]() Is this really beautiful? http://www.dn.no/forsiden/etterBors/article2317522.ece Quote:
Is it wrong to apply consumer behaviour to architecture, or do you think Dokk Holm is right in his predictions? I'm very interested in other views on this, unfortunately it isn't possible to comment on the article itself. Personally I think bare concrete is hideous, and that these buildings are so fundamentally different from other architectural styles that I'm not sure that the same rules apply. Dokk Holm compares it to fashion, but in fashion you have quite a clear disctinction between what the famous designers show on the runway and what most people would actually wear. Like high fashion primarily exists on the runway, this love of concrete and modernist/brutalist architecture almost entirely exists within the profession of architecture, and in my opinion it should stay there.. |
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#2 |
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Join Date: Aug 2010
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Have this kind of buildings ever been loved by people outside of the architectural community? Is that we there were so many demonstrations against them when they were built in the first place? I can't say I'm care too much for this holier than thou attitude from the pro-høyblokka camp either. It's one thing having an opinion either way, but it goes gets rather tiresome when you proclaim this opinion as fact and something that shouldn't be discussed.
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@ Flickr Last edited by Galro; January 27th, 2012 at 05:57 PM. |
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#3 |
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Registered User
Join Date: Jan 2012
Location: Stavanger
Posts: 11
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The main philosophy behind this architecture is functionalism. I'm not so sure you can say that about older architecture (to the same extent, anyway). With that in mind, his arguments of how we regard older things now, might not be as relevant for this style in the future.
On another hand, you most likely would not have the architecture we have today, without this architectural history. And I think we can see a pretty clear line from this strict functionalism to the modern architecture like the Opera House in Oslo, for example. So I think there's a possibility for people to appreciate this architecture in means of historic reference. But not based on the aesthetics alone. One of the main reasons that I my self am not a particular fan of this architecture, is because it's an era change that does not fit in with the previous eras. In my city, Stavanger, we've got beautiful 18th century wooden houses side by side with hideous children of this new architectural era. That does not look good. But I'm sure these buildings would look better in a homogenous environment in means of its architecture (look at New York, for example). If I'm not mistaken it was this way with the Gothic architecture as well. With this in mind, I must say that I agree with this guy to some extent. But I think it'll take a long time before we do. Probably sometime after we're all dead! |
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#4 |
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BANNED
Join Date: Jun 2009
Location: Bergen
Posts: 2,078
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I've heard this argument made tons of times before, and I still don't believe it. Sure, beauty is in the eye of the beholder, but certain designs will simply appeal more to the majority of people, in a completely natural manner. We are simply programmed to prefer certain things over others. This can be shapes, smells, tastes etc.. why is the taste of chocolate or the smell of fresh flowers generally preferred over that of shit? We are programmed to consider excerment disgusting, and most of us do. This will never change, although there will always be some scat sex lovers out there. I think that in 500 years European cities will still be considered to have the most beautiful architecture by the majority of the worlds population, and that's in spite of ugly buildings such as the one pictured in the article.
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#5 |
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Join Date: Dec 2009
Location: Trondheim
Posts: 505
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I agree with CoR, and i think Dokk Holm speaks for himself mostly here and is waaay off. He extrapolates the change of fashion trends to project that there are no absolutes, whether beautiful or ugly. Well, that is simply BS, with all due respect. Introducing a relativistic view to architecture, similar to the established politically correct views for relativistic culture and moral, makes me just
shake my head. There ARE in fact good things and bad things in this world, which can be stated in the opinion of an overwhelming majority of people. There are good smells and bad smells, pretty girls and ugly girls, and there is architecture that is beautiful and architecture that just makes you sad.If you should follow Dokk Holm's logic, Murmansk will be the most beautiful city in a decade, while central Paris would be awful. Not so. I think we can pretty much agree that raw concrete is not used in a façade for it's beauty, but because it's functional, cheap and low maintenance. Quality never goes out of style. We can easily judge by our history the more and the less successful approaches to good looking architecture and well-planned cities.
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".. Well, it's too late tonight to drag the past out into the light.." |
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#6 | |
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Registered User
Join Date: Jun 2006
Location: Oslo
Posts: 2,362
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Quote:
You are wrong. Taste changes with experience and knowledge. What girls you like changes with age. Same with food, you learn to like things with age, like fish, strong cheese, liquor ans so on. You like different clothes. The list just goes on. What building you like also changes with time. I for one like concrete. Sverre Fehn is a good example how it can be used in a beautiful way.
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"Alt henger sammen med alt" Gro Harlem Brundtland |
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#7 | |
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Join Date: Jul 2007
Location: Sydney
Posts: 112
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Quote:
But can we relate to it, other than on an ideological level? Architects might love what it represents, that it is beautiful in the way it contrasts with the "natural". I believe however that as humans - who for the vast, vast majority have lived with the organic, natural as our environment, something we're hardwired with - cannot relate to this kind architecture on a psychological level. Descartes came up with the idea that the "city is a machine", but that has later been proven to be a very blunt simplification and its application to real life cities have proven disastrous. I believe this love for concrete, at least the way it is being used today, is constructed on the same basis, and the same fallacy. |
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#8 |
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Join Date: Aug 2010
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Concrete can indeed create great and well received results. Just take a look at the dome on the Pantheon in Rome. I don't think people hate the brutalism architecture because they used concrete per se, but because they used it to make what is usually considered to be hideous structures. My impression isn't that the Empire State plaza in Albany, New York or the planed city of Brasilia is consider to be pretty and nice despite the fact that all the buildings there are built with marbles for example. It's not the material that troubles, but the architecture.
![]() I do btw think it's kind of funny how people who have devoted their life to architecture are arguing that architecture don't really mean that much. It is apparently just fashion.
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@ Flickr Last edited by Galro; January 28th, 2012 at 04:28 PM. |
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#9 | |
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Join Date: Jun 2009
Location: Bergen
Posts: 2,078
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Quote:
My problem is not so much concrete being used as a material in buidlings, but more the brutalist style of architecture.. For example, I think Norway would have been a more beautiful place had Erling Viksjø never become an architect. |
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#10 | |
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Join Date: Jul 2007
Location: Sydney
Posts: 112
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Quote:
I just keep thinking that whenever I see concrete being used that if some other material was used it would've looked better. It might just be me tho, and obviously cost, level of maintenance, robustness etc comes into play. A lot of new buildings aren't all that different from brutalist buildings, with other materials, no? And although they might not be ideal they are at least an improvement. |
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#12 | |
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Join Date: Nov 2006
Location: Oslo
Posts: 46
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Quote:
there are lot of beautiful brutalist architecture, but you needs an acquired taste as muster writes
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#13 | ||
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Join Date: Jun 2009
Location: Bergen
Posts: 2,078
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Quote:
Quote:
And like I said, you can't deny that certain women are generally perceived as very beautiful, as in 90% of people will agree that they are. We are programmed to prefer certain facial traits over others, and I think this can be applied to architecture, too.. some shapes and designs are simply more appealing to the human mind, the same way babies are predisposed to preferring bright colors like red. In Bergen, most people find the city hall to be extremely ugly. |
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#14 |
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Join Date: Aug 2010
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But do you think we should build cities/buildings to meet a taste few have acquired? Shouldn't public spaces where these building usually are located, be for all to enjoy regardless of their background?
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#15 | |
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Quote:
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#16 | |
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Join Date: Jan 2012
Location: Stavanger
Posts: 11
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Quote:
I guess it's a question of which buildings we are talking about, and their locations. If it doesn't fit in, it looks more like a statement than anything else. |
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#17 |
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Registered User
Join Date: Nov 2006
Location: Oslo
Posts: 46
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no, not cities, but single buildings, of course, in a democracy one can't deny any architectural style
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#18 | |
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Registered User
Join Date: Nov 2006
Location: Oslo
Posts: 46
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Quote:
my point being is that people has different tastes, and nobody should dictate the architectural style.. then our cities would be very dull indeed |
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#19 | |
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Registered User
Join Date: Jul 2007
Location: Sydney
Posts: 112
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Quote:
Architecture is however a part of the public domain, and the preference and taste of the architect is imposed on anyone who interacts with the building in one form or another. Buildings are also integral part of cities, and can have a great effect on them. Therefore I don't think you can really use the same rules for architecture, save for maybe priavte houses in residential areas which is a far more individual choice and does not have such a great effect on the city or area as a whole. And a mix of architectural styles might be needed, but only to a certain extent. The mish-mash of buildings that have been built the last 100 years with no context or relation to the surrounding buildings, while having produced a wide variety, hasn't really worked very well. A certain coherence is needed, also for the special buildings to really stand out. |
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#20 | |
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Join Date: Aug 2010
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Quote:
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