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#241 | |
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Registered User
Join Date: Jul 2005
Posts: 1,134
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Quote:
THIS IS WAY ABSURD, IMHO!!!! THEY CAN JUST TRANSFER! I mean, this is not an endangered rainforest!!!! The seedlings are not even planted in the area! They are planted in pots or separated land!!! The simplest thing that they can do is put the the seedlings in trucks and transfer to an area where Q.C. can provide it. I never thought I'll ever say this but I hope QC. will pull an Atienza on this. |
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#242 | |
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Registered User
Join Date: Jul 2005
Posts: 1,134
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Quote:
THIS IS WAY ABSURD, IMHO!!!! THEY CAN JUST TRANSFER! I mean, this is not an endangered rainforest!!!! The seedlings are not even planted in the area! They are planted in pots or separated land!!! The simplest thing that they can do is put the the seedlings in trucks and transfer to an area where Q.C. can provide it. I never thought I'll ever say this but I hope QC. will pull an Atienza on this. Last edited by JAMAICUS; March 30th, 2006 at 08:17 AM. |
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#243 |
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ays
Join Date: Mar 2006
Location: Quezon City
Posts: 1,013
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it's a good idea to find another place for this, if they really want to build a high rise condominium/or a commercial area.
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#244 |
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ays
Join Date: Mar 2006
Location: Quezon City
Posts: 1,013
Likes (Received): 0
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it's a good idea to find another place for this, if they really want to build a high rise condominium/or a commercial area.
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#245 |
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Registered User
Join Date: Sep 2005
Location: Manila
Posts: 2,187
Likes (Received): 0
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I would like to call the attention of Intramuros Administration...
__________________
When you wait patiently, the universe may want to overturn matters and drop what you desire on your lap. - Gilda Cordero Fernando |
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#246 |
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Registered User
Join Date: Sep 2005
Location: Manila
Posts: 2,187
Likes (Received): 0
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I would like to call the attention of Intramuros Administration...
__________________
When you wait patiently, the universe may want to overturn matters and drop what you desire on your lap. - Gilda Cordero Fernando |
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#247 |
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Registered User
Join Date: Sep 2005
Location: Manila
Posts: 2,187
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And by the way, there are a couple of stray dogs in Intramuros which I believe is dangerous for tourists, students and passersby...
![]() Rabbies galore...
__________________
When you wait patiently, the universe may want to overturn matters and drop what you desire on your lap. - Gilda Cordero Fernando |
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#248 |
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Registered User
Join Date: Sep 2005
Location: Manila
Posts: 2,187
Likes (Received): 0
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And by the way, there are a couple of stray dogs in Intramuros which I believe is dangerous for tourists, students and passersby...
![]() Rabbies galore...
__________________
When you wait patiently, the universe may want to overturn matters and drop what you desire on your lap. - Gilda Cordero Fernando |
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#249 |
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Registered User
Join Date: Jun 2005
Posts: 2,084
Likes (Received): 0
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Pride of Place : Summer streetwalking discoveries
First posted 11:22pm (Mla time) April 02, 2006 By Augusto Villalon Inquirer Editor's Note: Published on page D4 of the April 3, 2006 issue of the Philippine Daily Inquirer GET OUT OF THE MALLS AND go streetwalking this summer. There is nothing like discovering the Philippine city, whether it be Manila, Cebu, Baguio, or whatever city you happen to find yourself in. Actually each city has a story of its own, one that can be felt with the senses while walking, and the more you discover the story the more it comes to life. Some accurately call it feeling the pulse of the city. Each city and each neighborhood within the city has a story of its own and therefore beats with an individual pulse. There is a languid feel when experiencing Manila's Pasig River from the river walk along densely forested Arroceros Park that reminds you of Josè Rizal's late 19th-century descriptions of the beloved river. On the opposite bank of the river is one of the business centers of Manila. There energy bristles. It presents another face of the city where the pulse is understandably different. The pulse of a city is a combination of many things that take place within the protective envelope of a series of homes and buildings that form the urbanscape. Within the vast urbanscape of each city, neighborhoods are pockets that reflect the distinct lifestyles of their inhabitants. These are streetscapes inhabited and colored by the people-their visuals, sounds, smells and tastes that together illustrate the pulse of that particular section of the city. A market neighborhood is obviously different from a purely residential neighborhood. A neighborhood of houses has a character totally unlike that of a skyscraper neighborhood. Ethnic neighborhoods add a different flavor to the city. These are places where everything changes from the ordinary, the people, their sights, sounds, smells and cuisine. In ethnic neighborhoods, you may find things out of the ordinary, as well as exotica and shops stocked with interesting goods. Walking is really the only way to discover your city. Walk when the sun is not at its summer peak, either early in the morning or late in the afternoon. During the noon hours, you may enjoy a slow, long lunch in the coolest place you can find. Stay there as long as they will let you. Allow the sun to start cooling off before you go back on the street. Where to walk? Try your neighborhood first. Take a fresh look at what you have always taken for granted-the same old houses, sidewalks, rutted streets-but see how they tell the story of your neighborhood. Are there still houses from a few generations ago? Have these houses been replaced with newer ones? Has the neighborhood gone commercial? Have shop spaces been built in the big front yards? On the other hand, discover how wonderful those front yards may still exist. Are there special things to buy in your neighborhood? Are there homes, shops or restaurants that sell unusual food? What makes your neighborhood extraordinary? How would it stand out compared to the other sections of the city? If you heed help, a good guidebook that can navigate you around Manila is "Street-Bound" by Josefina Manahan, published by Anvil Publishing. Manahan lists various types of walks around Manila that allow people to appreciate nature (yes, there still is some of it in the city), history, culture, and of course, non-mall shopping. All of Manahan's walks take you through Manila, bringing out the pulse of the city that can never be duplicated in any of the malls. Walking tour guides If you would rather be walked around the city, then contact either Ivan ManDy at oldmanilawalks@gmail.com or Carlos Celdran. Both do walking tours. Ivan calls himself a Streetwalker. He takes people on walks through Tsinoy Binondo in central Manila. He has another walk at the Chinese Cemetery showing that the cemetery is probably the city's most comprehensive architectural museum and also the honor the Chinese community accords its ancestors. Tsinoy culture comes to life when he does unforgettable food walks through the kitchens of Binondo for a memorable encounter with the Chinese culture of taste. Carlos Celdran presents his own take on Manila, sometimes irreverent, but always humorous and engaging. When he tackles the CCP Complex, he brings out the Marcos mania for iconic architecture. He walks you through Intramuros, develops nostalgia for bygone days while doing a reality check on the ilustrado lifestyle. I really don't know who can walk people through Cebu, Vigan, Iloilo and other places outside of Manila. I am sure that those people exist and ask them to drop me an e-mail. When I find out who they are and after trying out their walks, then I will publish the contact information of the more interesting walkers. E-mail the author at afvillalon@hotmail.com Copyright 2006 Inquirer. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. |
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#250 |
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Registered User
Join Date: Jun 2005
Posts: 2,084
Likes (Received): 0
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Pride of Place : Summer streetwalking discoveries
First posted 11:22pm (Mla time) April 02, 2006 By Augusto Villalon Inquirer Editor's Note: Published on page D4 of the April 3, 2006 issue of the Philippine Daily Inquirer GET OUT OF THE MALLS AND go streetwalking this summer. There is nothing like discovering the Philippine city, whether it be Manila, Cebu, Baguio, or whatever city you happen to find yourself in. Actually each city has a story of its own, one that can be felt with the senses while walking, and the more you discover the story the more it comes to life. Some accurately call it feeling the pulse of the city. Each city and each neighborhood within the city has a story of its own and therefore beats with an individual pulse. There is a languid feel when experiencing Manila's Pasig River from the river walk along densely forested Arroceros Park that reminds you of Josè Rizal's late 19th-century descriptions of the beloved river. On the opposite bank of the river is one of the business centers of Manila. There energy bristles. It presents another face of the city where the pulse is understandably different. The pulse of a city is a combination of many things that take place within the protective envelope of a series of homes and buildings that form the urbanscape. Within the vast urbanscape of each city, neighborhoods are pockets that reflect the distinct lifestyles of their inhabitants. These are streetscapes inhabited and colored by the people-their visuals, sounds, smells and tastes that together illustrate the pulse of that particular section of the city. A market neighborhood is obviously different from a purely residential neighborhood. A neighborhood of houses has a character totally unlike that of a skyscraper neighborhood. Ethnic neighborhoods add a different flavor to the city. These are places where everything changes from the ordinary, the people, their sights, sounds, smells and cuisine. In ethnic neighborhoods, you may find things out of the ordinary, as well as exotica and shops stocked with interesting goods. Walking is really the only way to discover your city. Walk when the sun is not at its summer peak, either early in the morning or late in the afternoon. During the noon hours, you may enjoy a slow, long lunch in the coolest place you can find. Stay there as long as they will let you. Allow the sun to start cooling off before you go back on the street. Where to walk? Try your neighborhood first. Take a fresh look at what you have always taken for granted-the same old houses, sidewalks, rutted streets-but see how they tell the story of your neighborhood. Are there still houses from a few generations ago? Have these houses been replaced with newer ones? Has the neighborhood gone commercial? Have shop spaces been built in the big front yards? On the other hand, discover how wonderful those front yards may still exist. Are there special things to buy in your neighborhood? Are there homes, shops or restaurants that sell unusual food? What makes your neighborhood extraordinary? How would it stand out compared to the other sections of the city? If you heed help, a good guidebook that can navigate you around Manila is "Street-Bound" by Josefina Manahan, published by Anvil Publishing. Manahan lists various types of walks around Manila that allow people to appreciate nature (yes, there still is some of it in the city), history, culture, and of course, non-mall shopping. All of Manahan's walks take you through Manila, bringing out the pulse of the city that can never be duplicated in any of the malls. Walking tour guides If you would rather be walked around the city, then contact either Ivan ManDy at oldmanilawalks@gmail.com or Carlos Celdran. Both do walking tours. Ivan calls himself a Streetwalker. He takes people on walks through Tsinoy Binondo in central Manila. He has another walk at the Chinese Cemetery showing that the cemetery is probably the city's most comprehensive architectural museum and also the honor the Chinese community accords its ancestors. Tsinoy culture comes to life when he does unforgettable food walks through the kitchens of Binondo for a memorable encounter with the Chinese culture of taste. Carlos Celdran presents his own take on Manila, sometimes irreverent, but always humorous and engaging. When he tackles the CCP Complex, he brings out the Marcos mania for iconic architecture. He walks you through Intramuros, develops nostalgia for bygone days while doing a reality check on the ilustrado lifestyle. I really don't know who can walk people through Cebu, Vigan, Iloilo and other places outside of Manila. I am sure that those people exist and ask them to drop me an e-mail. When I find out who they are and after trying out their walks, then I will publish the contact information of the more interesting walkers. E-mail the author at afvillalon@hotmail.com Copyright 2006 Inquirer. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. |
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#251 | ||
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Registered User
Join Date: Jun 2005
Posts: 2,084
Likes (Received): 0
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#252 | ||
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Registered User
Join Date: Jun 2005
Posts: 2,084
Likes (Received): 0
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#253 |
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Registered User
Join Date: Jun 2005
Posts: 2,084
Likes (Received): 0
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Museums of the faith, the power and the glory
First posted 09:37pm (Mla time) April 02, 2006 By Christian Esguerra Inquirer Editor's Note: Published on page D1 of the April 3, 2006 issue of the Philippine Daily Inquirer. DESPITE BELONGING TO the majority religion in the country, Filipino Catholics are always hard-pressed to disabuse majority ignorance of their 2,000-year-old faith. So how do you address the problem then? The basic response, of course, is an aggressive catechism, one that relates, without necessarily oversimplifying, Church doctrines to the ordinary Filipino and his everyday life. But even here, clergymen like Fr. Andrew Greeley find a vast area for improvement. In his book "The Making of the Pope 2005," the American sociologist-writer complains that a significant number of Catholics in his country ignore important Church teachings, say, on contracepcion. In the Philippines, two Catholic institutions have come up with new ways to somehow re-energize the Catholic faith. The Archdiocese of Manila has refurbished its museum into one more fit to its status as the entry point of organized Roman Catholicism in this part of the world. University of Santo Tomas, established in 1611 through an endowment by Manila Archbishop Miguel de Benavidez who died in 1605, has mounted a quiet exhibit packaged to introduce its rectors (or, in modern language, university presidents) to the public at large, emphasizing the historic importance of the UST rectorship to the Church and nation as well as the cultural patrimony fostered by that institution. It isn't quite easy to immediately establish the relevance of both activities, even to Catholics, in this debilitating age of Ragnarok, Counterstrike and Pinoy Big Brother. For who would prefer to see a cement bust of Felix Huertas or a rectorial medal over a riotous online game? 'Living Canopy' But people like Fr. Gabriel Casal, director of the Manila archdiocesan museum, isn't losing hope. Instead of sulking from the steady stream of modern-day frivolities, he's picked up a convenient technology to generate appeal for his priceless artifacts. He's come up with an interactive CD containing the history and development of the archdiocese, including paintings, busts, markers, capes, carvings and other artifacts on display at the museum. He says the CD, "Living Canopy," is so long that it'll take about five hours for a straight viewing. It's now available for public viewing following the museum's renovation recently. The museum is on the 3/F, Arzobispado de Manila, Intramuros. But while CDs can help bridge the generation gap, they're still no match to appreciating history, in this case, of the religious kind, by staring at the actual artifact. Just a few steps of the entrance is the original historical marker of the seventh Manila Cathedral that stood from 1879 to 1945. The three bullet holes speak of the ill fate of what was once a majestic structure. Adjacent to the marker are three giant molave carvings of Saints John, Peter and Paul. They used to flank the three arches of the lower faćade of the wartime cathedral before bombs dropped them to earth. Occupying an entire wall of the small museum is a Carlos "Botong" Francisco depiction of Jesus Christ ascending to the heavens. There's also a glass showcase displaying works by Msgr. Josè Abriol, who single-handedly translated into Filipino the Old and New Testaments, Sacramentary, Lectionary and other religious books. The archdiocesan museum, of course, won't be complete without an exhibit on Jaime Cardinal Sin and the colorful archbishops who came before him. You'll find an old desk and typewriter of Rufino Cardinal Santos and the already-brittle cape of Bernardino Nozaleda, the last Spanish archbishop of Manila. "It's a humble collection," Casal tells the Inquirer, explaining that other important artifacts pertaining to the history of the archdiocese were kept in more elaborate ecclesiastical museums such as that of nearby San Agustin Church. UST Museum Others are with the safekeeping of the UST Museum of Arts and Sciences, the oldest museum in the country. The school did an experiment of sorts by mounting an exhibit on its rectors recently. Some might dismiss it as the school's vanity, but organizers believe there was value in introducing and explaining the role of the UST rector to Filipinos who have a short memory. The institution of the UST rector, after all, is not without historical importance. UST is the oldest Western-style university in Asia. During the Spanish colonial era, it functioned as a bureau of education, with the UST rector having supervisory rights over all schools in the islands. The importance of the UST rectorship in the history of higher education in the country cannot be discounted. As veritable secretary of education, the rector sat in academic tribunals to determine the fitness of a candidate for an academic degree. One can visualize the UST rector, a Dominican scholar trained in the true scholastic and Thomistic tradition, frowning on a candidate's answer in a tribunal, waving aside the answer, and pronouncing "Non" on whether or not to grant him the degree. The first Filipino ilustrados such as Fr. Josè Burgos, Apolinario Mabini and Felipe Agoncillo underwent grilling by the academic tribunal headed by the UST rector. The incumbent rector, Fr. Tamerlane Lana, O.P., the school's 93rd rector, admitted that the position used to be "clothed with mystery" and was once seen as the "invisible power" in the university, next only to God. "A medieval concept," he says. As in papal succession, moving from one rector to another requires a solemn and elaborate ceremony not alien to pure Vatican tradition. (In fact, it is the Vatican that appoints the UST rector as the school is a pontifical university, the only one of 13 in the world with that title.) In the exhibit were the silver maces (c. 17th-18th century) and the rectorial gown and medallion, all symbolizing the authority of the rector. The passage of those symbols from one rector to another signifies the sophisticated transfer of academic authority. The heart of the exhibit were the huge paintings of some of the 93 rectors, done by the likes of Fernando Amorsolo, Alfredo Esquillo, Rafael del Casal, Ronald Ventura and Wenceslao Garcia. Garcia painted the first Filipino rector of UST, Leonardo Legaspi, O.P. (1971-77), who is now archbishop of Nueva Caceres. Esquillo was a favorite of rectors, having been tapped to paint most of those on exhibit such as the portraits of Fr. Jesus Diaz (1965-70) and Fr. Rolando de la Rosa (1990-98). A standout were Amorsolo's paintings of Fr. Serapio Tamayo (1926-36) and his successor, Fr. Silvestre Sancho, who was rector until 1944. Copyright 2006 Inquirer. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. |
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#254 |
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Registered User
Join Date: Jun 2005
Posts: 2,084
Likes (Received): 0
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Museums of the faith, the power and the glory
First posted 09:37pm (Mla time) April 02, 2006 By Christian Esguerra Inquirer Editor's Note: Published on page D1 of the April 3, 2006 issue of the Philippine Daily Inquirer. DESPITE BELONGING TO the majority religion in the country, Filipino Catholics are always hard-pressed to disabuse majority ignorance of their 2,000-year-old faith. So how do you address the problem then? The basic response, of course, is an aggressive catechism, one that relates, without necessarily oversimplifying, Church doctrines to the ordinary Filipino and his everyday life. But even here, clergymen like Fr. Andrew Greeley find a vast area for improvement. In his book "The Making of the Pope 2005," the American sociologist-writer complains that a significant number of Catholics in his country ignore important Church teachings, say, on contracepcion. In the Philippines, two Catholic institutions have come up with new ways to somehow re-energize the Catholic faith. The Archdiocese of Manila has refurbished its museum into one more fit to its status as the entry point of organized Roman Catholicism in this part of the world. University of Santo Tomas, established in 1611 through an endowment by Manila Archbishop Miguel de Benavidez who died in 1605, has mounted a quiet exhibit packaged to introduce its rectors (or, in modern language, university presidents) to the public at large, emphasizing the historic importance of the UST rectorship to the Church and nation as well as the cultural patrimony fostered by that institution. It isn't quite easy to immediately establish the relevance of both activities, even to Catholics, in this debilitating age of Ragnarok, Counterstrike and Pinoy Big Brother. For who would prefer to see a cement bust of Felix Huertas or a rectorial medal over a riotous online game? 'Living Canopy' But people like Fr. Gabriel Casal, director of the Manila archdiocesan museum, isn't losing hope. Instead of sulking from the steady stream of modern-day frivolities, he's picked up a convenient technology to generate appeal for his priceless artifacts. He's come up with an interactive CD containing the history and development of the archdiocese, including paintings, busts, markers, capes, carvings and other artifacts on display at the museum. He says the CD, "Living Canopy," is so long that it'll take about five hours for a straight viewing. It's now available for public viewing following the museum's renovation recently. The museum is on the 3/F, Arzobispado de Manila, Intramuros. But while CDs can help bridge the generation gap, they're still no match to appreciating history, in this case, of the religious kind, by staring at the actual artifact. Just a few steps of the entrance is the original historical marker of the seventh Manila Cathedral that stood from 1879 to 1945. The three bullet holes speak of the ill fate of what was once a majestic structure. Adjacent to the marker are three giant molave carvings of Saints John, Peter and Paul. They used to flank the three arches of the lower faćade of the wartime cathedral before bombs dropped them to earth. Occupying an entire wall of the small museum is a Carlos "Botong" Francisco depiction of Jesus Christ ascending to the heavens. There's also a glass showcase displaying works by Msgr. Josè Abriol, who single-handedly translated into Filipino the Old and New Testaments, Sacramentary, Lectionary and other religious books. The archdiocesan museum, of course, won't be complete without an exhibit on Jaime Cardinal Sin and the colorful archbishops who came before him. You'll find an old desk and typewriter of Rufino Cardinal Santos and the already-brittle cape of Bernardino Nozaleda, the last Spanish archbishop of Manila. "It's a humble collection," Casal tells the Inquirer, explaining that other important artifacts pertaining to the history of the archdiocese were kept in more elaborate ecclesiastical museums such as that of nearby San Agustin Church. UST Museum Others are with the safekeeping of the UST Museum of Arts and Sciences, the oldest museum in the country. The school did an experiment of sorts by mounting an exhibit on its rectors recently. Some might dismiss it as the school's vanity, but organizers believe there was value in introducing and explaining the role of the UST rector to Filipinos who have a short memory. The institution of the UST rector, after all, is not without historical importance. UST is the oldest Western-style university in Asia. During the Spanish colonial era, it functioned as a bureau of education, with the UST rector having supervisory rights over all schools in the islands. The importance of the UST rectorship in the history of higher education in the country cannot be discounted. As veritable secretary of education, the rector sat in academic tribunals to determine the fitness of a candidate for an academic degree. One can visualize the UST rector, a Dominican scholar trained in the true scholastic and Thomistic tradition, frowning on a candidate's answer in a tribunal, waving aside the answer, and pronouncing "Non" on whether or not to grant him the degree. The first Filipino ilustrados such as Fr. Josè Burgos, Apolinario Mabini and Felipe Agoncillo underwent grilling by the academic tribunal headed by the UST rector. The incumbent rector, Fr. Tamerlane Lana, O.P., the school's 93rd rector, admitted that the position used to be "clothed with mystery" and was once seen as the "invisible power" in the university, next only to God. "A medieval concept," he says. As in papal succession, moving from one rector to another requires a solemn and elaborate ceremony not alien to pure Vatican tradition. (In fact, it is the Vatican that appoints the UST rector as the school is a pontifical university, the only one of 13 in the world with that title.) In the exhibit were the silver maces (c. 17th-18th century) and the rectorial gown and medallion, all symbolizing the authority of the rector. The passage of those symbols from one rector to another signifies the sophisticated transfer of academic authority. The heart of the exhibit were the huge paintings of some of the 93 rectors, done by the likes of Fernando Amorsolo, Alfredo Esquillo, Rafael del Casal, Ronald Ventura and Wenceslao Garcia. Garcia painted the first Filipino rector of UST, Leonardo Legaspi, O.P. (1971-77), who is now archbishop of Nueva Caceres. Esquillo was a favorite of rectors, having been tapped to paint most of those on exhibit such as the portraits of Fr. Jesus Diaz (1965-70) and Fr. Rolando de la Rosa (1990-98). A standout were Amorsolo's paintings of Fr. Serapio Tamayo (1926-36) and his successor, Fr. Silvestre Sancho, who was rector until 1944. Copyright 2006 Inquirer. All rights reserved. This material may not be published, broadcast, rewritten or redistributed. |
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#255 | |
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Taipan in the making
Join Date: Apr 2005
Location: Manila
Posts: 940
Likes (Received): 0
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__________________
.:Back where I belong:. |
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#256 | |
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Taipan in the making
Join Date: Apr 2005
Location: Manila
Posts: 940
Likes (Received): 0
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__________________
.:Back where I belong:. |
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#257 | |
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woof! woof!
Join Date: Dec 2005
Location: NYC
Posts: 2,350
Likes (Received): 76
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__________________
Silent waters run deep |
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#258 | |
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woof! woof!
Join Date: Dec 2005
Location: NYC
Posts: 2,350
Likes (Received): 76
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__________________
Silent waters run deep |
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#259 | ||
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Registered User
Join Date: Jul 2005
Posts: 1,134
Likes (Received): 0
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Last edited by JAMAICUS; April 3rd, 2006 at 07:41 AM. |
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#260 | ||
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Registered User
Join Date: Jul 2005
Posts: 1,134
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