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Old January 9th, 2019, 12:05 AM   #61
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^ Wow! Love it!

Robert Pougheon | Le Serpent | 1930

Musée La Piscine, Roubaix



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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 10th, 2019, 01:19 AM   #62
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Saint Christopher (depicted with the head of a dog)

Collection: Icons and Wood-Carvings
Type: PORTABLE ICON Origin: Kermira, Cappadocia
Measurement: 67 x 35 cm Exhibit Number: ΒΧΜ 01571
Appears in: IV.3a. The Communities of the Romioi (RUM)


http://www.ebyzantinemuseum.gr/?i=bxm.en.exhibit&id=59

Byzantine and Christian Museusem, Athens, Greece.

http://www.ebyzantinemuseum.gr


Quote:
Kermira, Cappadocia St Christopher depicted with the head of a dog. From the 5th century on, it was widely believed in Byzantium that the saint was one of the mythic dog-heads, a barbarian race without the gift of human speech. Nevertheless his depiction as a dog-head had not been the dominant in the Byzantine art, since the Byzantine Church frowned upon the linking of one of its saints with the cynocephali. In the post-Byzantine art, though, especially from the 17th c. onwards, the Orthodox artists several times paint the Saint as a dog-head.
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Last edited by systema magicum; January 10th, 2019 at 10:38 PM.
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Old January 10th, 2019, 03:29 PM   #63
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Casas y Carbó, Ramón (Barcelona, 1866, Barcelona, 1932)
Τitle:
Jove decadent (Decadent young woman)
Chronology:
1899
Technique:
Oil
Support:
Canvas
Dimensions:
46,5 x 56 cm
School:
Spanish
Style:
Modernisme
Genre:
Figurative
Location:
Montserrat Museum, abbey of Montserrat

Decadent young woman. After the dance by Lluís Ribes Mateu, en Flickr
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Old January 11th, 2019, 02:50 PM   #64
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Melodramatics of Italian Baroque

Artemisia Gentileschi | Esther before Ahasuerus

Artist: Artemisia Gentileschi (1593).
Title: Italian: Ester e Assuero.
English: Esther before Ahasuerus.
Date: between 1628 and 1635.
Medium: oil on canvas.
Dimensions: Height: 208.3 cm (82 ″); Width: 273.7 cm (107.7 ″).



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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.

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Old January 11th, 2019, 05:22 PM   #65
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Autor:
Berruguete, Pedro (Paredes de Nava, Palencia, 1445/1450?, Madrid?, 1503?)
Τitle:
Ritratto di (Portrait) Federico da Montefeltro e del figlio Guidobaldo
Chronology:
1476/1477
Technique:
Oil
Support:
Wood
Dimensions:
134 x 77 cm
School:
Spanish
Style:
Gothic
Genre:
Portrait
Location:
Galleria Nazionale delle Marche, Urbino, Italy

Pedro Berruguete (Madrid 1445 - 1503) Ritratto di Federico da Montefeltro e del figlio Guidobaldo (1476-1477) Mostra Raffaello e l'eco del Mito - GAMeC Bergamo by raffaele pagani, en Flickr
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Old January 11th, 2019, 08:44 PM   #66
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Albert Lynch | Jeanne d'Arc

1903


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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 11th, 2019, 09:09 PM   #67
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Idyll | Tamara de Lempicka
1931


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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 12th, 2019, 12:51 AM   #68
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Girl of Annam (Vietnam) | Jean Despujols

Painted in the 30's, but not sure of the exact year, it is after 1936 I suppose.



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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 12th, 2019, 08:27 AM   #69
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Zurbarán, Francisco de (Fuente de Cantos, Badajoz, 1598, Madrid, 1664)
Τitle:
Defensa de Cádiz contra los ingleses (defense of Cádiz against the English)
Chronology:
1634
Technique:
Oil
Support:
Canvas
Dimensions:
302 x 323 cm
School:
Spanish
Style:
Baroque
Genre:
battle painting
Location:
Prado Museum, Madrid


Francisco de Zurbarán: Defensa de Cádiz contra los ingleses (1634) by Enrique Viola, en Flickr
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Old January 12th, 2019, 12:23 PM   #70
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Edmund Leighton (1852–1922) | Stitching the Standard
Object type: painting.
Date: 1911.
Medium: oil on canvas.
Dimensions: Height: 98 cm (38.5 ″); Width: 44 cm (17.3 ″).



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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 15th, 2019, 10:14 AM   #71
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Henryk Siemiradzki | Dance amongst swords

1887


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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 17th, 2019, 09:58 PM   #72
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Carl Larsson | Midvinterblot

Location: Nationalmuseum, Stockholm

Date: 1915



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Old January 17th, 2019, 10:04 PM   #73
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Stunning! It even gives me a Byzantine vibe (people inside on the left and right of the building behind Byzantine styled pillars).
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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.

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Old January 18th, 2019, 07:42 AM   #74
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Autor:
Sorolla y Bastida, Joaquín (Valencia, 1863, Cercedilla (Madrid), 1923)
Τitle:
El balandrito
Chronology:
1909
Technique:
Oil
Support:
Canvas
Dimensions:
100 x 110 cm
School:
Spanish
Style:
Expressionism
Genre:
Figurative
Location:
Sorolla Museum of Madrid

El Balandrito de Joaquín Sorolla by Bonnie Rodríguez Beteta, en Flickr
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Old January 19th, 2019, 10:25 AM   #75
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Caravaggio (1571–1610) | Canestra di frutta - Basket of Fruit

Date: circa 1599.
Medium: oil on canvas.
Dimensions: Height: 31 cm (12.2 ″); Width: 47 cm (18.5 ″).

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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.


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Old January 27th, 2019, 05:00 PM   #76
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Last Judgement

http://www.ebyzantinemuseum.gr/?i=bxm.en.exhibit&id=12
Collection: Paintings
Type: PAINTING
Origin: From Asia Minor (Constantinople?)
Creator: Workshops of Constantinople
Measurement: 224 x 316 cm
Exhibit Number: ΒΧΜ 22634 Appears in: IV.3a. The Communities of the Romioi (RUM)


Quote:
Painting with the Last Judgment, September 15, 1855. The huge painting with the multi-scene depiction is coming from Asia Minor. It bears inscriptions in Karamanli from which we learn that it was created by two painters that worked in Constantinople, near the Gate of Adrianople and that it was dedicated to a Hagios Nikolaos Monastery.



The Ascension of the Prophet Elijah and scenes from his life


http://www.ebyzantinemuseum.gr/?i=bxm.en.exhibit&id=68

Collection: Icons and Wood-Carvings
Type: PORTABLE ICON
Origin: Ano Korakiana, Kerkyra (Corfu)
Creator: Theodoros Poulakis
Measurement: 188,5 x 123,5 cm
Exhibit Number: ΒΧΜ 01576 Appears in: IV.1b. Painting in Ionian Islands: a justifiable hybrid


Quote:
The icon is signed by Theorodos Poulakis (circa 1620-1692), one of the most important and the most productive painters of the era. Theodore Poulakis was born in Chania, Crete, c. 1620. He lived for some years in Venice and also in Kerkyra (Corfu) and in other Ionian Islands. He often used Flemish engravings as models for his works, as is the case here. The icon, that comes from the Church of Prophetes Ilias (Prophet Elijah) in Ano Korakiana was stolen in 1976. It was cut in nine pieces to be transported easily and sold by looters, who were arrested a few years later. The work, which suffered extensive damage, was located and transported to the Byzantine Museum where it underwent conservation in 1984 and again in 2008-2009.
Byzantine And Christian Museum, Athens, Greece.

http://www.ebyzantinemuseum.gr

virtual tour:
http://www.ebyzantinemuseum.gr/?i=bxm.en.virtual-tour
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Last edited by systema magicum; January 27th, 2019 at 05:09 PM.
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Old January 27th, 2019, 06:12 PM   #77
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Wow, the painting by Theodoros Poulakis seems to follow Classical principles. Love the chariot horses.
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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.

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Old January 27th, 2019, 09:31 PM   #78
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Autor:
de Ribera, José (Xátiva (Valencia), 1591, Naples (Italy), 1652)
Τitle:
Apolo y Marsias (Apollo and Marsyas)
Chronology:
1637
Technique:
Oil
Support:
Canvas
Dimensions:
202 x 255 cm
School:
Spanish
Style:
Baroque
Genre:
Figurative
Location:
Royal Museum of Fine Arts of Belgium, Brussels

Pint Bar Esp~C3.RIBERA.APOLO Y MARSIAS. by Enrique Viola, en Flickr
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Old January 28th, 2019, 07:00 AM   #79
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Autor:
de Morales, Luis (Badajoz, 1509, Alcántara (Cáceres), 1586)
Τitle:
La Lamentación (The Lamentation)
Chronology:
1560
Technique:
Oil
Support:
Walnut
Dimensions:
89x62,5 cm
School:
Spanish
Style:
Renaissance
Genre:
Religious painting
Location:
The Metropolitan Museum of Art, New York

Luis de Morales (Spanish 159/20-1596),The Lamentation ca.1560,oil on canvas. by Marcos Rivera, en Flickr

Last edited by Castor_Game; January 28th, 2019 at 07:07 AM.
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Old February 6th, 2019, 10:11 PM   #80
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Sir William Russell Flint | Springboard (1939)

Collotype
Dimensions:
10 1/8 × 17 in
25.7 × 43.2 cm



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MARCUS VITRUVIUS POLLIO | DE ARCHITECTURA | LIBER IV
Columnae corinthiae praeter capitula omnes symmetrias habent uti ionicae,
sed capitulorum altitudines efficiunt eas pro rata excelsiores et graciliores,
quod ionici capituli altitudo tertia pars est crassitudinis columnae, corinthii tota crassitudo scapi.
igitur quod duae partes e crassitudine corinthiorum adiciuntur,
efficiunt excelsitate speciem earum graciliorem.

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