Let's talk about NYC's horrific tendency to sacrifice its historical heritage and globally unique flair due to careless investors pulling up soulless modernist buildings, with the Landmark Preservation Commission keeping blind to it.
Please add more examples and join the controversial discussion!
It's screwing up the whole skyline of Midtown Manhattan. And as if that wouldn't be enough, a whole intact block with a historical highrise and neat townhouses was torn down for this abomination. While they could easily have been integrated into the complex, as happened at so many other places. I'll introduce them after showing some visualizations...
432 Park is the long drawn-out, badly proportioned, concrete facade stalk to the left here... :no:
by SSC User sbarn
If, apart from the failed proportion of width and length, they'd have come up with a more interesting facade, features, setbacks, a NYC-worthy crown, etc... BUT THIS! *insert facepalm here*
And these intact, vital, original Manhattan gems were all torn down for this ^ monstrous madness! Goodbye Drake Hotel and neat townhouses, welcome greed and ugliness!
This building will occupy the place of the now demolished Drake Hotel (built 1926). Some other small,and quite pretty buildings were demolished as well. A big loss if you ask me. hno:
The news that 432 Park is going to have a concrete facade at that height is just frightening.
I told you how this thing will be horrible by any means. Now it's not only the proportions, but also an ill-bred cladding! I've never seen any good modernist tower featuring an exposed concrete facade.
And they've torn a beautiful ensemble with Drake hotel and historical townhouses for it!
I'm getting really mad at NYC. And what they're doing to their heritage that is global architectural heritage, too! :no:
Perhaps people should wait to see it before hitting the panic button.
At the prices that are being talked about for these apartments they're going to have to build something that looks bloody attractive from the outside as well as the inside, or they won't sell many.
^ It got main brutalist features, but other than that, it's just a minimalist modernist box.
DinoVabec: Concerning the Setai... It got a limestome cladding, didn't it? Additionally, it has design elements that add something to its neighbourhood and its Art Deco inspired base and structure complement the grown surroundings very well. That can't be said about 432 Park.
features shared by many architecture genres. Brutalist architecture is not defined by the material used, but overall presence of the building. Brutalist buildings are rough and "heavy looking" fortress like structures with limited window area. This tower is nothing like that.
What you quoted means that such an exposed concrete facade exhibits elements of many styles. Brutalism is one of these styles, so is constructivism and the other styles you quoted. It is hard to find a building which clearly belongs 100% to just one style. Buildings usually have elements of several styles :cheers:
The Apple cube has a whole different level of transparance and is incomparable in scale.
Thus, again, not a valid comparisons.
In fact, you people should stop making comparisons in here - as 432 Park really falls out of context and is pretty much incomparable. Incomparably ugly, imho.
Perfectly comparable. Visually, 432 is a glass shaft contained in a rectilinear lattice. It's minimalist in the renders, and to my mind hits a pitch of understatement resoundingly welcome in that location. It should play off the neighbors very well.
I'm fond of a range of architectural 'schools' and eras. But like to see them delivered pure. For my part, I think it's admirable.
Haha well we've seen brutally ugly buildings of all size, shapes and styles but that doesn't make them any more (or less) of brutallist architecture does it :lol: ?
And this is hot it looks now. 432 PA will be very similar to this. just way taller. If that concrete will be painted white, even better. Those huge windows will have perfect reflections, you won'r even notice concrete there.
It may be hard to visualize, but this will be a very attractive tower. CIM are very sophisticated investors who are investing a billion dollars in this tower. They're not reckless idiots who will build a value-engineered piece of junk.
^^ A facade is not a part of the structure. A perimeter structure is called a perimeter structure, not a facade. The facade is a decorative cover of a perimeter structure hno:
Facade simply refers to the face of a building, whether it be structural or a cladding that wraps the supporting structure.
Personally, I like the idea of a facade that is not 100% glass. The concrete could be clad with just about anything but the choice is purely stylistic. I suspect that this building requires significant structural elements at the perimeter because it is thin. Swaying of the tower thus puts massive compressive load on the side toward which it is currently leaning. Wider/shorter buildings can rely primarily on a core and get away with less structure around the perimeter. Either way is feasible, but this is a fine solution.
Concrete has come a long way in the past few decades. It is now many times stronger yet can also include aggregate or other material to achieve a far different look than standard portland gray. Some of the most expensive counter tops now commissioned for luxury residences are made from concrete. These include fancy ingredients such as ground quartz or any color of rare mineral.
Whether that is economical on this scale is unknown to me. But imagine if it is possible, a glittering or iridescent concrete supertall. This is going to be spectacular, even if comprised of standard concrete and glass!
Like most of Rafael Vinoly's designs, they appear bad in the renders until they are actually built. An example is 20 Fenchurch Street in London that everyone hated until it was actually under construction. This tower will end up looking good, don't worry.
Gothic architecture is one of the main European architectural styles. It originated in the "Île-de-France" in the 12th century and quickly spreaded across Europe. Finally, it was replaced by Renaissance architecture in the 16th century.
I would like to start with a major example: Notre Dame...
It seemed interesting to me to share historical designs/drawings for structures that never made it. Not only to share a dreamy sense of Nostalgia and melancholy, but also to inspire and display the intense beauty of structures that never came to be.
Let's celebrate the amazing fantasy and sense...
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